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Alberto Contador Fingerbanging Mt. Etna
“In the background I’d paint Mt. Etna, its cinder cone spewing lava and ash. In the foreground would be Contador himself, resplendent in the maglia rosa, making his signature salute as lava and ash also erupt from his index finger. Beneath his feet would be the blackened lava fields, representing the manner in which he laid waste to his competition, and in the sky there would be little cherubic steaks with wings representing the controversy that still dogs him.”
http://bicycling.com/blogs/thisjustin/2011/05/15/giro-ditalia-stage-9-what-is-that-velvet/

Apropos

    Alberto Contador Fingerbanging Mt. Etna

    “In the background I’d paint Mt. Etna, its cinder cone spewing lava and ash. In the foreground would be Contador himself, resplendent in the maglia rosa, making his signature salute as lava and ash also erupt from his index finger. Beneath his feet would be the blackened lava fields, representing the manner in which he laid waste to his competition, and in the sky there would be little cherubic steaks with wings representing the controversy that still dogs him.”

    http://bicycling.com/blogs/thisjustin/2011/05/15/giro-ditalia-stage-9-what-is-that-velvet/

    Apropos

    (Source: frailamerica)

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    This is the only American football I care about.

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    nervousacid:

    The Jealous Sound are not the type of band that get Best New Musics or ubiquitous thinkpiece subjectification, which is to say that when their new album, A Gentle Reminder, comes out today, chances are you will not have heard about it unless you’ve already been paying careful attention. These are the records that are hardest to write about because they’re not instantly polarizing — like that other record that’s coming out today — or even particularly heady; it’s music with the potential to make you feel inarticulate. But thinking about this record makes me think about this thing Joan Didion wrote about lifting the unfussy title to George Orwell’s “Why I Write” for an essay of her own: “I stole the title not only because the words sounded right but because they seemed to sum up, in a no-nonsense way, all I have to tell you.”

    There’s a modest refrain in this song where Blair Shehan sings, “I can’t do this on my own,” and it’s just inexplicably affecting. Like so many of the songs on this record, “Change You” sums up in a no-nonsense way all he has to tell us. Shehan thrives in such unembellished sentiment — he, virtuoso of the downstroke pick and palm-muted guitar riff — but not without leaving behind the dismal premonition that so many of the records that will quite possibly go on to eclipse this one are teeming with the kind of nonsense this album plainly rejects. This is the kind of record that changes lives, unbeknownst to everyone.

    I wanted to listen to the entire record before I rebloged this, but I as soon as I finished reading this, I was sure it would be the truest record review I’d read this year.

    It was a couple of years ago when I last saw The Jealous Sound. They were supporting SDRE on their reunion tour, and, after their set was over, it was obvious that Sunny Day could only disappoint. I think that says a lot.

    Everything in its place:
    The Jealous Sound
    A Gentle Reminder

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    uphillshift:

    inrng:

    It wasn’t just the riders who faced steep slopes and mud at cyclocross worlds. Here one of the spectators tries to get into position after a beer or three.

    spotted via twitter’s @Mattbrammeier85

    The best part comes at about half way through.

    They’ve got some crazy run-ups at CX Worlds.

    Everything in its place:
    cycling
    cyclocross

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    (Source: jesusislove)

    Everything in its place:
    religion

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